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(1 - 19 of 19)
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Microbes and maladies
Larson, B. (1995). Microbes and maladies: Bacteriology and health at the fin de siécle. Lost Paradise: Symbolist Europe [exhibition/organized by Pierre Théberge; Chief Curator, Jean Clair], 385-393.
Mapping the body and the brain
Larson, B. (2009). Mapping the body and the brain: Neurology and localization theory in the work of Rodin. RACAR: Revue d’art Canadienne / Canadian Art Review, 34(1), 30-40.
Ornithology and allegory
Larson, B. (2013). Ornithology and allegory: Walton Ford. Antennae: The Journal of Nature in Visual Culture, (25), 27-32.
The artist as ethnographer
Larson, B. (2005). The artist as ethnographer: Charles Cordier and race in mid-nineteenth-century France. The Art Bulletin, 87(4), 714-722.
Through stained glass
Larson, B. (2010). Through stained glass: Abstraction and embodiment in early twentieth century avant-garde circles. Habitus in Habitat I: Emotion and Motion, 227-243.
The microbe
Larson, B. (2005). The microbe. The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon.
Curing degeneration
Larson, B. (2004). Curing degeneration: Health and the neoclassical body in early twentieth-century France. In Sickness and in Health: Disease As Metaphor in Art and Popular Wisdom, 166-186.
Odilon Redon's 𝑇𝑒𝑚𝑝𝑡𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑆𝑎𝑖𝑛𝑡 𝐴𝑛𝑡ℎ𝑜𝑛𝑦 lithographs
Larson, B. (2004). Odilon Redon’s 𝑇𝑒𝑚𝑝𝑡𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑆𝑎𝑖𝑛𝑡 𝐴𝑛𝑡ℎ𝑜𝑛𝑦 lithographs. Medieval Saints in Late Nineteenth Century French Culture, 47-81.
Introduction
Larson, B. (2013). Introduction. Darwin and Theories of Aesthetics and Cultural History, 1-16.
Evolution and degeneration in the early work of Odilon Redon
Larson, B. (2003). Evolution and degeneration in the early work of Odilon Redon. Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture, 2(2).
Evolution and Victorian art
Larson, B. (2014). Evolution and Victorian art. Evolution and Victorian Culture, 121-148.
Le voyage de Darwin et las rivages de Redon
Larson, B. (2007). Le voyage de Darwin et las rivages de Redon. Odilon Redon : Le Ciel, La Terre, La Mer, 107-115.
The new astronomy and the expanding cosmos
Larson, B. (2000). The new astronomy and the expanding cosmos: The view from France at the end of the nineteenth century. Cosmos: From Goya to De Chirico, from Friedrich to Kiefer : Art in Pursuit of the Infinite.
Odilon Redon and the Pasteurian revolution
Larson, B. (2004). Odilon Redon and the Pasteurian revolution: Health, illness, and le monde invisible. Science in Context, 17(4), 503-524. doi:10.1017 /S0269889704000249
Darwin's sexual selection and the jealous male in fin-de-siècle art
Larson, B. (2009). Darwin’s sexual selection and the jealous male in fin-de-siècle art. The Art of Evolution: Darwin, Darwinisms, and Visual Culture, 173-193.
Darwin, Burke, and the biological sublime
Larson, B. (2013). Darwin, Burke, and the biological sublime. Darwin and Theories of Aesthetics and Cultural History, 17-36.
From botany to belief
Larson, B. (2007). From botany to belief: Odilon Redon and Armand Clavaud. As in a Dream: Odilon Redon [in Conjunction With the Exhibition "Odilon Redon", Schirn Kunsthalle Frankfurt, January 28 - April 29, 2007], 95-101.
Introduction
Larson, B. (2009). Introduction. The Art of Evolution: Darwin, Darwinisms, and Visual Culture, 1-17.
La génération symboliste et la révolution darwinienne
Larson, B. (1993). La génération symboliste et la révolution darwinienne. L’âme Au Corps Arts Et Sciences 1793-1993: Catalogue réalisé Sous La Direction De Jean Clair : Galeries Nationales Du Grand Palais 19 Octobre 1993-24.