Search results

  • CSV Spreadsheet
(1 - 18 of 18)
Label
Odilon Redon's 𝑇𝑒𝑚𝑝𝑡𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑆𝑎𝑖𝑛𝑡 𝐴𝑛𝑡ℎ𝑜𝑛𝑦 lithographs
Larson, B. (2004). Odilon Redon’s 𝑇𝑒𝑚𝑝𝑡𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑆𝑎𝑖𝑛𝑡 𝐴𝑛𝑡ℎ𝑜𝑛𝑦 lithographs. Medieval Saints in Late Nineteenth Century French Culture, 47-81.
Evolution and Victorian art
Larson, B. (2014). Evolution and Victorian art. Evolution and Victorian Culture, 121-148.
From botany to belief
Larson, B. (2007). From botany to belief: Odilon Redon and Armand Clavaud. As in a Dream: Odilon Redon [in Conjunction With the Exhibition "Odilon Redon", Schirn Kunsthalle Frankfurt, January 28 - April 29, 2007], 95-101.
Odilon Redon and the Pasteurian revolution
Larson, B. (2004). Odilon Redon and the Pasteurian revolution: Health, illness, and le monde invisible. Science in Context, 17(4), 503-524. doi:10.1017 /S0269889704000249
Microbes and maladies
Larson, B. (1995). Microbes and maladies: Bacteriology and health at the fin de siécle. Lost Paradise: Symbolist Europe [exhibition/organized by Pierre Théberge; Chief Curator, Jean Clair], 385-393.
Through stained glass
Larson, B. (2010). Through stained glass: Abstraction and embodiment in early twentieth century avant-garde circles. Habitus in Habitat I: Emotion and Motion, 227-243.
The microbe
Larson, B. (2005). The microbe. The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon.
Introduction
Larson, B. (2013). Introduction. Darwin and Theories of Aesthetics and Cultural History, 1-16.
Evolution and degeneration in the early work of Odilon Redon
Larson, B. (2003). Evolution and degeneration in the early work of Odilon Redon. Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture, 2(2).
Ornithology and allegory
Larson, B. (2013). Ornithology and allegory: Walton Ford. Antennae: The Journal of Nature in Visual Culture, (25), 27-32.
Darwin's sexual selection and the jealous male in fin-de-siècle art
Larson, B. (2009). Darwin’s sexual selection and the jealous male in fin-de-siècle art. The Art of Evolution: Darwin, Darwinisms, and Visual Culture, 173-193.
Curing degeneration
Larson, B. (2004). Curing degeneration: Health and the neoclassical body in early twentieth-century France. In Sickness and in Health: Disease As Metaphor in Art and Popular Wisdom, 166-186.
The new astronomy and the expanding cosmos
Larson, B. (2000). The new astronomy and the expanding cosmos: The view from France at the end of the nineteenth century. Cosmos: From Goya to De Chirico, from Friedrich to Kiefer : Art in Pursuit of the Infinite.
CV
Darwin, Burke, and the biological sublime
Larson, B. (2013). Darwin, Burke, and the biological sublime. Darwin and Theories of Aesthetics and Cultural History, 17-36.
The Franco-Prussian War and cosmological symbolism in Odilon Redon's noirs
Larson, B. (2004). The Franco-Prussian War and cosmological symbolism in Odilon Redon’s noirs. Artibus Et Historiae, 25(50), 127-138. doi:10.2307/1483791
The artist as ethnographer
Larson, B. (2005). The artist as ethnographer: Charles Cordier and race in mid-nineteenth-century France. The Art Bulletin, 87(4), 714-722.
Mapping the body and the brain
Larson, B. (2009). Mapping the body and the brain: Neurology and localization theory in the work of Rodin. RACAR: Revue d’art Canadienne / Canadian Art Review, 34(1), 30-40.