|Odilon Redon's 𝑇𝑒𝑚𝑝𝑡𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑆𝑎𝑖𝑛𝑡 𝐴𝑛𝑡ℎ𝑜𝑛𝑦 lithographs |
Larson, B. (2004). Odilon Redon’s 𝑇𝑒𝑚𝑝𝑡𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑆𝑎𝑖𝑛𝑡 𝐴𝑛𝑡ℎ𝑜𝑛𝑦 lithographs. Medieval Saints in Late Nineteenth Century French Culture, 47-81.
|Evolution and Victorian art |
Larson, B. (2014). Evolution and Victorian art. Evolution and Victorian Culture, 121-148.
|From botany to belief |
Larson, B. (2007). From botany to belief: Odilon Redon and Armand Clavaud. As in a Dream: Odilon Redon [in Conjunction With the Exhibition "Odilon Redon", Schirn Kunsthalle Frankfurt, January 28 - April 29, 2007], 95-101.
|Odilon Redon and the Pasteurian revolution |
Larson, B. (2004). Odilon Redon and the Pasteurian revolution: Health, illness, and le monde invisible. Science in Context, 17(4), 503-524. doi:10.1017 /S0269889704000249
|Microbes and maladies |
Larson, B. (1995). Microbes and maladies: Bacteriology and health at the fin de siécle. Lost Paradise: Symbolist Europe [exhibition/organized by Pierre Théberge; Chief Curator, Jean Clair], 385-393.
|Through stained glass |
Larson, B. (2010). Through stained glass: Abstraction and embodiment in early twentieth century avant-garde circles. Habitus in Habitat I: Emotion and Motion, 227-243.
|The microbe |
Larson, B. (2005). The microbe. The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon.
Larson, B. (2013). Introduction. Darwin and Theories of Aesthetics and Cultural History, 1-16.
|Evolution and degeneration in the early work of Odilon Redon |
Larson, B. (2003). Evolution and degeneration in the early work of Odilon Redon. Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture, 2(2).
|Ornithology and allegory |
Larson, B. (2013). Ornithology and allegory: Walton Ford. Antennae: The Journal of Nature in Visual Culture, (25), 27-32.
|Darwin's sexual selection and the jealous male in fin-de-siècle art |
Larson, B. (2009). Darwin’s sexual selection and the jealous male in fin-de-siècle art. The Art of Evolution: Darwin, Darwinisms, and Visual Culture, 173-193.
|Curing degeneration |
Larson, B. (2004). Curing degeneration: Health and the neoclassical body in early twentieth-century France. In Sickness and in Health: Disease As Metaphor in Art and Popular Wisdom, 166-186.
|The new astronomy and the expanding cosmos |
Larson, B. (2000). The new astronomy and the expanding cosmos: The view from France at the end of the nineteenth century. Cosmos: From Goya to De Chirico, from Friedrich to Kiefer : Art in Pursuit of the Infinite.
|Darwin, Burke, and the biological sublime |
Larson, B. (2013). Darwin, Burke, and the biological sublime. Darwin and Theories of Aesthetics and Cultural History, 17-36.
|The Franco-Prussian War and cosmological symbolism in Odilon Redon's noirs |
Larson, B. (2004). The Franco-Prussian War and cosmological symbolism in Odilon Redon’s noirs. Artibus Et Historiae, 25(50), 127-138. doi:10.2307/1483791
|The artist as ethnographer |
Larson, B. (2005). The artist as ethnographer: Charles Cordier and race in mid-nineteenth-century France. The Art Bulletin, 87(4), 714-722.
|Mapping the body and the brain |
Larson, B. (2009). Mapping the body and the brain: Neurology and localization theory in the work of Rodin. RACAR: Revue d’art Canadienne / Canadian Art Review, 34(1), 30-40.